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            <title>AllInOneNews: Arts</title>  
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             <title><![CDATA[The TV Watch: Supersizing the Show (Austerity Is So 2009)]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=87f3108ee132535fc68052e9b5179513]]></link>  
             <description><![CDATA[[New York Times] Sunday's Academy Awards ceremony was one enormous Hollywood stimulus package.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 15:19:41 CST 2010</pubDate>  
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             <guid isPermaLink="true">  <![CDATA[http://feeds.nytimes.com/click.phdo?i=78f67110817b2525b0c11641df95916d]]></guid>  
             <title><![CDATA['The Hurt Locker' Wins Big at Oscars]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=78f67110817b2525b0c11641df95916d]]></link>  
             <description><![CDATA[[New York Times] The Iraq war drama "The Hurt Locker" took home the Oscar for best picture, while its director, Kathryn Bigelow, became the first woman to win an Oscar for best director.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 10:19:45 CST 2010</pubDate>  
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             <guid isPermaLink="true">  <![CDATA[http://feeds.nytimes.com/click.phdo?i=8636d40a8818a60e77c3629f6a6223fa]]></guid>  
             <title><![CDATA[Books of The Times: Rural Pride and Poverty and a Hen's Empty Nest]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=8636d40a8818a60e77c3629f6a6223fa]]></link>  
             <description><![CDATA[[New York Times] The skill with which Ron Rash's tales are constructed is apparent in this new book of stories.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 02:48:02 CST 2010</pubDate>  
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             <title><![CDATA[Redesigning the Concept and Role of the Automobile]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=0f6a2b5ba36a0d7095ae394f447efce2]]></link>  
             <description><![CDATA[[New York Times] The vision of smart, eco-savvy cars free from the threat of congestion, crashes, pollution and parking spats could soon become reality, according to the authors of a new book, "Reinventing the Automobile."<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 02:45:58 CST 2010</pubDate>  
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             <title><![CDATA[Music Review | Boston Baroque: Praise of Mary at Eventide Resounds Across 400 Years]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=ba8a681f8c1814cda3576432379701f8]]></link>  
             <description><![CDATA[[New York Times] Boston Baroque's music director, Martin Pearlman, says he considers the Vespers one of the ensemble's signature works, with good reason.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 01:50:57 CST 2010</pubDate>  
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             <title><![CDATA[Critics' Choice: New CDs]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=0d687329bf4f5abcf000ef34e308744e]]></link>  
             <description><![CDATA[[New York Times] New releases from Broken Bells, DJ Drama and Fabolous and Jamie Cullum.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 01:40:48 CST 2010</pubDate>  
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             <title><![CDATA[At the Last Minute, a Disney-Cablevision Truce]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=a00cf8364b4fe1f84d6f6276c689248e]]></link>  
             <description><![CDATA[[New York Times] The companies' feud, most recently exemplified by a Disney move that temporarily prevented Cablevision customers from viewing the Academy Awards, promises to spread across the country to other cable providers and stations.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 01:21:09 CST 2010</pubDate>  
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             <title><![CDATA[Music Review | 'The Nose': Picture This: A Nose on the Loose]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=4f637373e2bf80fb5e06c440478b21cf]]></link>  
             <description><![CDATA[[New York Times] The South African artist William Kentridge has unleashed his imagination on Shostakovich's bitterly satirical and breathless opera at the Met.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:56:10 CST 2010</pubDate>  
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             <guid isPermaLink="true">  <![CDATA[http://feeds.nytimes.com/click.phdo?i=edfb8ace9e7a312f5fc2acfd3035576b]]></guid>  
             <title><![CDATA[Music Review | Muse: Slaying the Dragon Called Subtlety With Large-Scale Heroics]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=edfb8ace9e7a312f5fc2acfd3035576b]]></link>  
             <description><![CDATA[[New York Times] Muse, a three-man English band formed in the early 1990s, never misses a chance for melodrama.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:39:54 CST 2010</pubDate>  
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             <guid isPermaLink="true">  <![CDATA[http://feeds.nytimes.com/click.phdo?i=fc66f97b916422b7374a302cecd0bf3b]]></guid>  
             <title><![CDATA[Dance Review | Platform 2010: A Human Landscape of Rippling Bodies and Meditative Minds]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=fc66f97b916422b7374a302cecd0bf3b]]></link>  
             <description><![CDATA[[New York Times] Shelley Senter was the perfect choreographer to open "Back to New York City," the latest incarnation of Platform 2010, Danspace Project's guest-artist-organized series.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:38:24 CST 2010</pubDate>  
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             <title><![CDATA[Music Review | Todd Snider: A Bit Wry and Rough at the Edges]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=a56016d128ce0db303bfab995eb808d8]]></link>  
             <description><![CDATA[[New York Times] The 43-year-old alt-country singer-songwriter Todd Snider looked the epitome of a scruffy modern troubadour ambling along a rutted Southern highway on the way to nowhere.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:37:59 CST 2010</pubDate>  
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             <title><![CDATA[Music Review | Glissando bin Laden: Violins Face Off Against Laptops in a Friendly Improvisational Duel]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=6d5ed8a4a2652757314b1a63b06aedb0]]></link>  
             <description><![CDATA[[New York Times] One way to understand the music of the improvising electro-acoustic quartet Glissando bin Laden is as a fight between rigid law and individual choice.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:36:43 CST 2010</pubDate>  
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             <guid isPermaLink="true">  <![CDATA[http://feeds.nytimes.com/click.phdo?i=3ef8e7d07d106e5091665a6be4f398b3]]></guid>  
             <title><![CDATA[Theater Review | 'Candida': Two Men Who Adore Her, One Woman in the Middle]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=3ef8e7d07d106e5091665a6be4f398b3]]></link>  
             <description><![CDATA[[New York Times] Melissa Errico's formidable beauty is probably the most persuasive element in the Irish Repertory Theater's revival of George Bernard Shaw's comedy "Candida."<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:35:56 CST 2010</pubDate>  
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             <guid isPermaLink="true">  <![CDATA[http://feeds.nytimes.com/click.phdo?i=31627971f1b55eff0c16d2a65a88a8e7]]></guid>  
             <title><![CDATA[Dance Review | Suzanne Farrell Ballet: Celebrating the Genius of Balanchine by Viewing It With Fresh Eyes]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=31627971f1b55eff0c16d2a65a88a8e7]]></link>  
             <description><![CDATA[[New York Times] Watching the dancing of the Suzanne Farrell Ballet at the Kennedy Center, I found myself being led deeper into the Balanchine experience.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:32:14 CST 2010</pubDate>  
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             <guid isPermaLink="true">  <![CDATA[http://feeds.nytimes.com/click.phdo?i=c8cdf8107a70566da1a03cf2ccf79782]]></guid>  
             <title><![CDATA[Theater Review | 'A Life in Three Acts': Of Youth, Frocks and Politics: A Not-So-Ordinary Life]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=c8cdf8107a70566da1a03cf2ccf79782]]></link>  
             <description><![CDATA[[New York Times] Bette Bourne, a drag performer and activist from Britain, recounts his experience at the footlights and on the front lines in "A Life in Three Acts."<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:24:06 CST 2010</pubDate>  
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             <title><![CDATA['Alice' Grabs Imax Screens From 'Avatar']]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=5fecb512a51b932d170b2f29ddd415bb]]></link>  
             <description><![CDATA[[New York Times] The hunger for 3-D pictures, a blockbuster publicity campaign and curiosity about a performance by Johnny Depp pushed "Alice in Wonderland" to No. 1 at the weekend box office.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:15:42 CST 2010</pubDate>  
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             <title><![CDATA[Bridge: Winner Understood Opponent's Psychology]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=4da03f269fa15d45abaf07069b1d9c81]]></link>  
             <description><![CDATA[[New York Times] Most members of the American Contract Bridge League's Hall of Fame are marquis names. A few are lower-profile experts well respected by their peers<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:14:14 CST 2010</pubDate>  
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             <guid isPermaLink="true">  <![CDATA[http://feeds.nytimes.com/click.phdo?i=a05b34223382dcbc702e04dffb8b6ee3]]></guid>  
             <title><![CDATA[Mark Linkous, Leader of Sparklehorse Band, Dies at 47]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=a05b34223382dcbc702e04dffb8b6ee3]]></link>  
             <description><![CDATA[[New York Times] Mr. Linkous was a singer and songwriter whose music was renowned in indie-rock and alt-country circles for its haunted, allusive themes and fragile beauty.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:02:41 CST 2010</pubDate>  
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             <title><![CDATA[Philip Langridge, British Operatic Tenor, Dies at 70]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=b3a0fc7ca04331f856531295f5c3ddbe]]></link>  
             <description><![CDATA[[New York Times] At the height of his powers, Mr. Langridge produced a warm tone with a richness and flexibility he used astutely in complex, emotionally charged roles as well as in comic parts.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:00:50 CST 2010</pubDate>  
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             <guid isPermaLink="true">  <![CDATA[http://feeds.nytimes.com/click.phdo?i=bfc80c4fec55912a267524f73ab94f34]]></guid>  
             <title><![CDATA[Advertising: Good Housekeeping Puts on a Show to Celebrate Women]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=bfc80c4fec55912a267524f73ab94f34]]></link>  
             <description><![CDATA[[New York Times] The show, to be staged at the New York City Center, reflects efforts by media companies to go beyond traditional realms of the printed page or TV set.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 08 00:00:22 CST 2010</pubDate>  
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             <title><![CDATA[Oscar Night Suspense, Then Poof! Cable's Back]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=e682a416e4e33327bc853bca68caa5ff]]></link>  
             <description><![CDATA[[New York Times] Cablevision customers in the New York area faced the prospect of Oscar night without Channel 7, the Oscar channel, because of a contract dispute.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Sun Mar 07 23:50:16 CST 2010</pubDate>  
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             <title><![CDATA[For Web and Public TV, Brief Films That Dramatize Issues]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=15d60bf23b08d759a0c42a37f256e881]]></link>  
             <description><![CDATA[[New York Times] An attempt by a public television stalwart to bring the young into the fold with punchy takes on social issues.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Sun Mar 07 22:10:23 CST 2010</pubDate>  
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             <title><![CDATA[Review: The Foundations of Russian Culture and Art]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=aa5a2a4b6351dedd88db45c594b17331]]></link>  
             <description><![CDATA[[New York Times] "Holy Russia,'' an exhibit at the Louvre through May 24, examines the impact of Western, Eastern and Middle Eastern culture on Russia since its conception.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Sun Mar 07 02:14:00 CST 2010</pubDate>  
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             <title><![CDATA[China's First Lady of Opera]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=3a93117aac5f9349ebe01da317e6dd13]]></link>  
             <description><![CDATA[[New York Times] The person who has been carefully nurturing many of China's top singers in the Western opera tradition for international careers is the 93-year-old Zhou Xiaoyan.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Thu Mar 04 22:08:15 CST 2010</pubDate>  
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             <title><![CDATA[Contemporary Arts Fair Veers Into 'Emerging' Territory]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=423e5f4771dd664bf25b8b22cdedc7a7]]></link>  
             <description><![CDATA[[New York Times] Works by artists from emerging regions - like Asia and Africa - are among those being showcased at the revamped Paris fair at the Grand Palais that runs from March 18 to 22.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Wed Mar 03 23:22:34 CST 2010</pubDate>  
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             <title><![CDATA[Review: Better the Devil You Don't Know?]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=01a2fe0602cb5e992420d16b577451f4]]></link>  
             <description><![CDATA[[New York Times] The Bayerische Staatsoper is offering a devil opera for our time: "Die Trag&#246;die des Teufels" ("The Tragedy of the Devil") by the Hungarian composer Peter Eotvos, which received its world premiere last week in Munich.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Tue Mar 02 23:13:06 CST 2010</pubDate>  
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             <title><![CDATA[Design: Making an Art Out of Credit Rolls]]></title>  
             <link><![CDATA[http://feeds.nytimes.com/click.phdo?i=ee14670cdd97e7289dcf8326df9fd011]]></link>  
             <description><![CDATA[[New York Times] A week before the Oscars, it's a time to celebrate a little-recognized category of moviemaking: the title sequences that mark the beginning and end of most films.<img alt="" height="0" width="0" border="0" style="display:none" src="http://a.rfihub.com/eus.gif?eui=2219"/>]]></description>  
             <pubDate>Mon Mar 01 05:10:00 CST 2010</pubDate>  
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